Right now, for technological, ethical and political reasons, the world’s archivists are suddenly very busy. Advances in digital imaging and communications are feeding an already intense interest in provenance, authorship and material culture. Two recent discoveries – a woman’s name scratched in the margins of an 8th-century manuscript, and John Milton’s annotations in a copy of Shakespeare’s First Folio held in the Free Library of Philadelphia – are examples of how new tools are revealing new evidence, and how distant scholars are making fascinating connections.
